Top Ten Things Not to Do at the First Folies Bergère Revue in 1886

 

This week marks the 134th anniversary of the first revue stages at the Folies Bergere theater in Paris in 1886. The show was quite a hit, and we certainly want to be there. Grab the list of the Top Ten things not to do so we don’t cause a time continuum tear. Hop in James’s Oldsmobile, and let’s go.

James Wainwright’s Oldsmobile from Eternal Road – The final stop

Top Ten Things Not to Do at the First Folies Bergère Revue in 1886 by John W. Howell © 2020

10 If you go, do not gape at the scantily clad dancers. If you do, at best, they will think you’re ill. At worst, you might collect a slap from one of the chorus members. (It seems, Mohsen, that you attracted the attention of Bertha, who was previously with Ringling  Brothers Circus. She used to box with the big Grizzley bear. Good luck with your relationship.)

9 If you go, do not laugh at the antics of Tiny, the WWF champ. If you do, at best, he won’t be able to pick you out of the crowd. At worst, Tiny believes he is a serious performer and is now wondering why you are laughing at his performance of Pagliacci. (Of course, you and Tiny know Pagliacci first premiered in 1892, but that didn’t stop him from wailing out what he thought was a fine opera. He is looking for you, Monroe. He said something about high dive. Let’s just say it doesn’t sound like a good thing.)

8 If you go, do not ask what the title of the revue, “Place aux Jeunes,” means in English. If you do, at best, you will ask an older person. At worst, you will ask a young person. (You see, Montague, “Place aux Jeunes” means a place for young people. You know folks who don’t mind a little nudity in their shows. That person you asked is talking to the gendarm over there. The term pervertir keeps coming up. It might be time to leave.)

7 If you go, do not think you can have a feather as a souvenir. If you do, at best, you’ll get a hand slap. At worst, that feather was the cornerstone for the whole costume. (This is a fine kettle of fish you have gotten us into, Montay. Even though it is 1886, causing a person to lose their costume is a serious offense. I hear a bunch of people running your way. It might be good to go the other way for now.)

6 If you go, do not think you can take the stage and sing along. If you do, at best, you’ll fall into the orchestra pit. At worst, your off-tune singing will cause the entire show to stop. (Well, Montez. Believe it or not, the 200 or so who have paid for admission are not pleased about this circumstance. I hear someone calling for tar and feathers. A very tough combination to get off.)

5 If you go, do not ask about the acrobats. If you do, at best, no one will know what you are talking about.  At worse, you’ll ask Édouard Marchand. (Marchand was the guy who took a different direction with the Folies, Montrel. He had the idea of an elaborate review featuring women. He will point out to you that acrobats, circus acts, and boxing kangaroos all played at the Folies in the 1870s. He now wants to know if you want your money back. I would tell him no.)

4 If you go, do not ask about the artists Manet and Toulouse-Lautrec. If you do, at best, no one will know them. At worse, you will ask the barmaid. (Now you have given away your status as a time traveler, Moor. Both artists painted famous paintings using the Folies as subject material. In fact, Manet’s A Bar at the Folies-Bergère, painted in 1882, is of that girl. Manet died a year later. This painting did not become famous until long after 1886.)

3 If you go, do not order Absinthe at the bar. If you do, at best, they will be out. At worse, they are having a happy hour special. (You better be careful, Moreley. Absinthe contains the chemical compound thujone made up of a ketone and a monoterpene present in the spirit in trace amounts and was blamed for its alleged harmful effects. That theory has been debunked, but why chance it. Oh, I see. A little too late on the warning. Happy trails to you.)

2 If you go, do not make a bet about how many costumes sets and people are involved in the shows. If you do, at best, you only bet a little. At worst, you put up your virtual farm in Les Baux-de-Provence. (Of course, you lost, Morgen, since who would be able to guess 40 sets, 1000 costumes, and 200 people. I shape you have a virtual deed to your virtual lavender farm.)

1 If you go, do not mention that the show Place Aux Junes does not have the word Folie and thirteen letters like all shows at the Folies Bergère. (Another faux pas, Morpheus. That tradition was established 100 years ago, so you are about 34 years too soon. Don’t worry, I think these guys like the idea anyway.)

134 thoughts on “Top Ten Things Not to Do at the First Folies Bergère Revue in 1886”

      1. Uhhh… the more things change, the more they stay the same. These days, we need to check the headlines every day to see what new proscriptions there are. Dancing and singing are out, so the Folies Bergere wouldn’t have a chance today.

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        1. Sean Hannity’s idea of patriotism goes something like this: If you agree with me, you’re a patriot. Otherwise you’re a socialist degenerate who should be charged with treason.

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  1. Love the term, scantily dressed. Sure sends one’s imagination off to the races. And if you couldn’t gape at those scantily dressed dancers, why go. As for Tiny, kicking up his heels, hmm…I don’t know, since, how would he look in a pair, ya think? Robert Preston he’s not. But he shouldn’t feel too bad since, being from Connecticut and all, unless they’d let my outfit be made of gingham or madress, I could never pull off that strut across the stage either.

    As an aside, I did know a hairdresser once name Absinthe. He did a mean blow-dry, so to speak.

    I love these little gems of yours John, as you see. 🙂

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  2. I thought of Toulouse-Lautrec as soon as I read your title. When we were in grade school and easily amused by the slightest hint of ‘adult’ entertainment, we called the painter “Too-loose Lautrec.”

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